‘Annihilation’ is strong, thought-provoking sci-fi (review)

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“Annihilation,” based on the Jeff VanderMeer novel of the same name, is a top-notch sci-fi horror film. Bolstered by a strong cast, gorgeous visuals, and thought-provoking themes, “Annihilation” is sci-fi done right.

Lena, (Natalie Portman), cellular biology professor, is interrogated at U.S. Government facility Area X. She’s the sole survivor of a scientific research group sent into a strange anomaly dubbed “the shimmer.” Previously, Lena’s husband, Army Special Forces soldier Kane (Oscar Isaac) departed mysteriously and was presumed dead. However, Kane returned unexpectedly, with seemingly no memories of his mission. As it turns out, Kane was sent into the shimmer.
Captured by a security team, Lena and Kane are whisked off to Area X. There, Lena meets psychologist Dr. Ventress (Jennifer Jason Leigh) who recruits Lena to journey into the shimmer. Ventress reveals that Kane remains the only survivor of his team, and any group that’s made gone in. Switching focus, Ventress forms an expedition comprised of scientists, not soldiers. Aside from Lena and Ventress, there’s paramedic Anya (Gina Rodriguez), anthropologist Cass (Tuva Novotny), and physicist Josie (Tessa Thompson).

Shortly after venturing into the shimmer, strange occurrences plague the team. They begin to lose time, and experience hybrid life forms. Slowly, as the film progresses, what’s occurring becomes clear. It’s a horrifying mission, but the frightening aspects derive from the unknown. At times the shimmer is simply gorgeous, others it’s beautifully haunting.

As sci-fi, “Annihilation” plays with time and memory. It’s a slow moving, but nary boring, adventure which boldly presents a visually striking landscape. Like “Prometheus,” “Annihilation” presents exquisite use of CGI, shaping an otherworldly landscape. The methodical sizzle builds to an epic climax, culminating with a final brainteaser that leaves the viewer in quiet contemplation long after the credits roll. Plus, there’s a neat commentary on genetic editing, though this seems unintentional. It’s similar to the likes of “Stalker” in its mysterious landscape and contemplative sci-fi narrative.

Yet “Annihilation” presents many questions, offering few answers. The best sci-fi, from “2001: A Space Odyssey” and “Blade Runner” to “Primer” and “Tangent Room,” similarly deliver pleasant vagueness. As such, “Annihliation” is intelligent sci-fi at its best. Still, this lends the movie a polarizing aspect. For those seeking a tidy narrative, look elsewhere. Moreover, while “Annihilation” is somewhat a sci-fi horror film, it’s far from “Alien” or “Event Horizon.” Rather, the horror elements are a bit unintentional. Largely, these spawn from a fear of the unknown.

A taut, leisurely, utterly gripping sci-fi flick, “Annihilation” toys with heady concepts. Almost every scene is pure eye candy, and it’s backed up by a strong ensemble cast. Loaded with lush visuals, a riveting plot, and bracing mind-benders, “Annihilation” is a true must-see.